More Information
Heyoka AKA Andrei Olenev is a cosmic auditory scientist found in the Bay Area noosphere, who has been blowing minds with his sonic manipulations.
Muti Music first released Heyoka’s “Space Case EP” in 2008 and included him on their growing roster of talented artists. His albums ‘Whomp Gland & Pineal Dub’, ‘Gate Code’ and the all new ‘Marklar’ album in 2010 have shown that he is a producer consistently evolving his musical style while managing to maintain a signature sound that is distinctively ‘Heyoka’.His early influences in Downtempo, Dub and IDM combined with midtempo dancefloor genres have helped create a very unique sound that combines relentless basslines, hip hop rhythms, dub vibes, and musicality and melody, all within an atmosphere of heavy psychedelia and alien dimensions.The response to his emergence so far has been overwhelming with Heyoka developing audiences and playing festivals from US to Canada and Australia. For a mind bending experience in dub inspired Glitch Hop, keep your ear to the ground for Heyoka playing a city or festival near you.
Grey Filastine is an audio-visual artist born in Los Angeles, based in Barcelona, and often nomadic, studying trance rhythms in Morocco, recording rappers in Indonesia, and gathering street noise from everywhere to compose. He composes a dense transnational bass music that collides the lowest frequencies of dubstep with the highest-level beat science, acoustic strings, voices, and lofi street noises. The results are “Awesome and delicate… hybrids so fluent they defy classification.” -Pitchfork
Filastine’s debut record, Burn It, was released by DJ Rupture in 2006 to much critical acclaim: “Filled with both jagged edges and moments of sad sweetness… Burn It is sure to win fans across multiple scenes”- XLR8R. The album ricocheted around the world, licensed and re-released by labels in France, Japan, and the US. The follow-up album, Dirty Bomb, dropped in 2009 through an alliance of labels led by French electro-dub imprint Jarring Effects. Prefix Mag called it “the prototype of globalized urban sound… It will devastate your subwoofer.”
Performing up to a hundred concerts per year, Filastine uses percussion to control loops and synchronized video from a heap of electronics wired to an amplified shopping cart. You may have seen him at a sweaty Tokyo nightclub, a football stadium in Casablanca, a respected euro-fest like Sónar, in a parking lot in Borneo, or touring the US with Bassnectar.
Before making electronic music Filastine played with the Infernal Noise Brigade, a marching band he founded for the Battle of Seattle. He continues to use audio as a tool for political intervention with the Sound Swarm, an orchestra of bike-mounted megaphones conducted by pirate radios transmitters.
2012 will see the release of a new album and videos that reflect a tighter collaboration with Javanese vocalist Nova Ruth and Lyon-based cellist Amélie Bouard. Expect to find Filastine anywhere, crashing borders and transforming friction into beauty. |
print page